Tracks:
1. Sowing The Seeds Of Love
2. Everybody Wants To Rule The World
3. Woman In Chains
4. Shout
5. Head Over Heels
6. Mad World
7. Pale Shelter
8. I Believe
9. Laid So Low (Tears Roll Down)
10. Mothers Talk
11. Change
12. Advice For The Young At Heart
**********
Download:
In the Reins is a joint EP by Calexico and Iron & Wine, released by Overcoat Recordings on September 13, 2005. Iron & Wine's Sam Beam wrote all of the songs, which were recorded by the two bands together at Wavelab Studio in Tucson, Arizona.| Track 01 | I Bet That You Look Good On The Dancefloor * (5.3MB) |
| Track 02 | The View From The Afternoon * (3.3MB) |
| Track 03 | The View From The Afternoon (End) * (2.3MB) |
| Track 04 | Still Take You Home * (4.7MB) |
| Track 05 | You Probably Couldn't See For The Lights But You Were Looking Straight At Me * (3.8MB) |
| Track 06 | Bigger Boys And Stolen Sweethearts (4.8MB) |
| Track 07 | Dancing Shoes * (5.0MB) |
| Track 08 | When The Sun Goes Down (Scummy) * (4.9MB) |
| Track 09 | From The Ritz To The Rubble * (5.7MB) |
| Track 10 | Perhaps Vampires Is A Bit Strong But... * (7.3MB) |
| Track 11 | Mardy Bum * (5.0MB) |
| Track 12 | Fake Stales Of San Francisco * (5.7MB) |
| Track 13 | A Certain Romance * (8.3MB) |
| Track 14 | Outro (2.4MB) |
Byrdmaniax is an album by American band The Byrds, released in 1971. It remains one of their most poorly received, largely in part due to the heavy strings producer Terry Melcher poured on many of the tracks, reportedly while The Byrds were on the road and without their approval.
Upon release, Byrdmaniax did much to undo the critical standing The Byrds had earned thanks to Ballad of Easy Rider and (Untitled) and it faded quickly from the public's consciousness, only reaching forty-six in the United States in a short chart stay, and failing to reach the United Kingdom charts at all.
Metallica was formed in Downey, California in 1981 by drummer and son of a former tennis prodigy, Lars Ulrich, along with guitarist and vocalist James Hetfield who he met after each had separately placed classified advertisements in the AmericanThe Recycler. Ulrich, who had been influenced by the New Wave of British Heavy Metal, tried to start his own band before 1981 but was unsuccessful.
the follow-up to the widely accessible and upbeat glam rock classic Transformer. What was surprising about this release was that it is in direct contrast to its predecessor: Berlin is a very bleak and sad album, widely believed to be among the most depressing albums ever recorded. In 2003, the album was ranked number 344 on Rolling Stone magazine's list of the 500 greatest albums of all time. On the other side of the coin, it is also ranked among the best of the concept albums the 1970s had to offer, a tragic, loose musical tale about a doomed couple amid themes of drug use and depression. Response was not good upon its release, as fans and critics were expecting another upbeat glam outing. As time has gone by, a growing number of Reed's fans have come to believe this album to be among his best as a solo artist.
Useful notes:Lewis Allen "Lou" Reed (born March 2, 1942) is an American rock and roll singer-songwriter, originally from Brooklyn, New York.
and guitar), Klaas Janzoons (keyboards and violin), and Stephane Misseghers (drums), Alan Gevaert (bass) and Mauro Pawlowski (guitar).
studio album; it is generally regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. It was a commercial success, reaching number one in the UK and staying on the album charts for over a year; a single, "More Than This," was also a Top 10 hit in Britain and other European countries. The same song was also a minor hit in the US, especially on the college radio circuit. In 2003, the album was ranked number 307 on Rolling Stone magazine's list of the 500 greatest albums of all time. It is one of four Roxy Music albums that made the list (Siren, For Your Pleasure and Country Life being the others).
The lush arrangements and synthesizer drenched sound of Avalon later found its way onto Bryan Ferry's solo follow-up album Boys and Girls (1985).
"The Main Thing", an album track from Avalon, was also used in a 2006 television advertisement for the Vauxhall Vectra, which was based around football and featured Pierluigi Collina. Pianos were added to the track in the advertisement version
s 40-track overview and pick up The Clash and London Calling instead. No matter how transcendent those two albums are -- and they are among the very greatest popular music of the 20th century -- that overlooks the fact that the group had many, many great songs not on either album, including "Safe European Home," "Stay Free," "Bankrobber," "Rock the Casbah," "Straight to Hell," "This Is Radio Clash," and "Should I Stay or Should I Go," to begin with. That's where this 2003 compilation comes in. It fills in many of the gaps between those two records, while summarizing The Clash and London Calling well, providing a first-rate overview of the greatest punk band. It's not quite perfect, however: some great singles and B-sides fall through the cracks (notably "Gates of the West," "Jail Guitar Doors," "The Call Up," "Armagedion Time," "The Prisoner," "Protex Blue") and the Sandinista! selections feel nearly as haphazard as the album itself. Nevertheless, this does provide the best, most extensive and logical overview of the band yet assembled, and it's worthwhile not just as an introduction, but as a terrific listen.
more melodic than their predecessors and they also had signature stop-start dynamics, which became a genre convention nearly as recognizable as fuzzy, distorted guitars. After Nirvana crossed over into the mainstream, grunge lost many of its independent and punk connections and became the most popular style of hard rock in the '90s.
successful British-American Blues, rock,Pop band that has had a revolving door of personnel, and varied levels of success.Greatest Hits is a 1988 album by British-American band Fleetwood Mac. It covers the period of the band's greatest commercial success, from the mid 1970s to the late 1980s.
It should not be confused with an early 1970s release by the Peter Green incarnation of the band, also entitled "Fleetwood Mac Greatest Hits", but containing an entirely different tracklisting
Sonic Nurse is an album by Sonic Youth, released on June 7, 2004. The cover art was made by renowned artist Richard Prince from his notorious Nurse Paintings series.
"Pattern Recognition" is based on the 2003 William Gibson novel of the same name. They have used Gibson's work as influence before, notably on a few tracks from Daydream Nation.
"Kim Gordon and the Arthur Doyle Hand Creme" was previously released as "Mariah Carey and the Arthur Doyle Hand Creme" on the first Narnack Buddy Series 7".
Bête Noire is an album by British singer Bryan Ferry, released on Virgin Records in November 1987.
The album was co-produced by Patrick Leonard, and was intended to increase Ferry's commercial stature in the United States. "Kiss and Tell" was his only Top 40 hit in the United States; the song also appears in the film Bright Lights, Big City. The album's second single, "The Right Stuff", was co-written with Johnny Marr and adapted from an instrumental B-side by The Smiths, "Money Changes Everything"
AMG Review
feature everything that made the nascent Bay Area thrash metal scene so unique. The record's release saw many imitators and followers release albums in its wake, and set the band that made it on the path to "world domination", as drummer Lars Ulrich would put it in the following year. The album reaches furious speeds on every track (discounting the Cliff Burton bass solo "(Anesthesia) Pulling Teeth"), a testament to the band's early influences: Diamond Head, Motörhead and Venom, all English bands who combined the heaviness and technicality of Black Sabbath with the speed and aggression of punk rock. This made the band a total anomaly in the early 1980s heavy metal scene in the USA. The band wear their influences on their sleeve, and shades of tracks like Diamond Head's "Dead Reckoning" can be heard in "Seek & Destroy".
alternative rock into the mainstream, but there's no underestimating the role that Pearl Jam's Ten played in keeping them there. Nirvana's appeal may have been huge, but it wasn't universal; rock radio still viewed them as too raw and punky, and some hard rock fans dismissed them as weird misfits. In retrospect, it's easy to see why Pearl Jam clicked with a mass audience — they weren't as metallic as Alice in Chains or Soundgarden, and of Seattle's Big Four, their sound owed the greatest debt to classic rock. With its intricately arranged guitar textures and expansive harmonic vocabulary, Ten especially recalled Jimi Hendrix and Led Zeppelin. But those touchstones might not have been immediately apparent, since — aside from Mike McCready's Clapton/Hendrix-style leads — every trace of blues influence has been completely stripped from the band's sound. Though they rock hard, Pearl Jam is too anti-star to swagger, too self-aware to puncture the album's air of gravity. Pearl Jam tackles weighty topics — abortion, homelessness, childhood traumas, gun violence, rigorous introspection — with an earnest zeal unmatched since mid-'80s U2, whose anthemic sound they frequently strive for. Similarly, Eddie Vedder's impressionistic lyrics often make their greatest impact through the passionate commitment of his delivery rather than concrete meaning. His voice had a highly distinctive timbre that perfectly fit the album's warm, rich sound, and that's part of the key — no matter how cathartic Ten's tersely titled songs got, they were never abrasive enough to affect the album's accessibility. Ten also benefited from a long gestation period, during which the band honed the material into this tightly focused form; the result is a flawlessly crafted hard rock masterpiece.Ten is Pearl Jam's first album, released on August 27, 1991 through Epic Records.
In 1998 Q magazine readers voted Ten the 54th greatest album of all time; in 2003 the TV network VH1 placed it at number 79. It is number 207 on the List of Rolling Stone's 500 Greatest Albums of All Time.
While the song "Black" charted #3 on the Mainstream Rock charts, it was never actually released as a single.
during the 1980s, but continued to be globally successful in the 1990s and 2000s. The trio, composed of lead vocalist Morten Harket, guitarist Paul Waaktaar-Savoy and keyboardist Magne Furuholmen, formed in 1983 and left Norway for London in order to make a career in the music business. The origin of the name a-ha comes from the title of an early song. Originally, Paul had used the word 'a-ha' as the title of a song.Review:Every track on this album really deserves a mention, but you wouldn't want to read that so I'll be brief. 'Birthright' shows exactly what this album is made of, beautifully melodic piano topped by the most perfectly sung lyrics and backed up with some subdued drumming. A well placed Moog synth in the chorus adds emphasis and importance, inspired song writing indeed. Analogue shows real maturity from a-Ha making them seem far removed from the floppy haired synth pop group of the 80's grown.
As their previous record shows a-Ha are legendary pop stars but with this album they have proved their ability as song writers. Analogue is out now so go check out a copy or see them live in December around London.
Then Play On is the fourth album by blues rock band Fleetwood
Mac, first released in September 1969 (see 1969 in music). It is often considered the best album by the Peter Green lineup of the band, and one of the best rock albums of the late 1960s. It was the first of their original albums to feature Danny Kirwan and the last with Peter Green. Jeremy Spencer did not feature on the album apart from "a couple of piano things" Mick Fleetwood told Q Magazine in 1990.
The album has been released with four different song lineups. The current CD lineup compiles all songs from the two US LP lineups, both of which were deviations from the original UK song order.
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You don't really see that I share a lot of 80s on this blog. I am always so confused by the era, not really implying it's pretenti...
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