during 2004, Curtains was initially tracked on the musician's living room floor and subsequently overdubbed with Carla Azar of Autolux on drums, Ken Wylde on upright bass, and Omar Rodriguez of the Mars Volta, who lent his guitar playing to a pair of tracks. Initiated by the stellar, Dylanesque acoustic tones of "The Past Recedes," Curtains opens to reveal evocative, soulful material like "Lever Pulled" and the bright, melodic reflection known as "A Name." The magical "Ascension -- which uses George Harrison's "My Sweet Lord" as a touchstone -- offsets the piano dirge "Leap Your Bar," but Frusciante's increasing comfort as a vocalist during this prolific spell is what is most notable. One needs to look no further than the beauty of "Anne" (which is arguably the best of the lot here) for evidence. But Curtains is the sum of its parts. Nearly always inventive, the 11 tunes here collect to form one magnificent piece of art.Tuesday, April 18, 2006
John Frusciante - Curtains
The sixth of six albums recorded by Red Hot Chili Peppers guitarist John Frusciante
during 2004, Curtains was initially tracked on the musician's living room floor and subsequently overdubbed with Carla Azar of Autolux on drums, Ken Wylde on upright bass, and Omar Rodriguez of the Mars Volta, who lent his guitar playing to a pair of tracks. Initiated by the stellar, Dylanesque acoustic tones of "The Past Recedes," Curtains opens to reveal evocative, soulful material like "Lever Pulled" and the bright, melodic reflection known as "A Name." The magical "Ascension -- which uses George Harrison's "My Sweet Lord" as a touchstone -- offsets the piano dirge "Leap Your Bar," but Frusciante's increasing comfort as a vocalist during this prolific spell is what is most notable. One needs to look no further than the beauty of "Anne" (which is arguably the best of the lot here) for evidence. But Curtains is the sum of its parts. Nearly always inventive, the 11 tunes here collect to form one magnificent piece of art.
during 2004, Curtains was initially tracked on the musician's living room floor and subsequently overdubbed with Carla Azar of Autolux on drums, Ken Wylde on upright bass, and Omar Rodriguez of the Mars Volta, who lent his guitar playing to a pair of tracks. Initiated by the stellar, Dylanesque acoustic tones of "The Past Recedes," Curtains opens to reveal evocative, soulful material like "Lever Pulled" and the bright, melodic reflection known as "A Name." The magical "Ascension -- which uses George Harrison's "My Sweet Lord" as a touchstone -- offsets the piano dirge "Leap Your Bar," but Frusciante's increasing comfort as a vocalist during this prolific spell is what is most notable. One needs to look no further than the beauty of "Anne" (which is arguably the best of the lot here) for evidence. But Curtains is the sum of its parts. Nearly always inventive, the 11 tunes here collect to form one magnificent piece of art.
Subscribe to:
Post Comments (Atom)
Contact
Popular Posts of the Week
-
History They originally called themselves The Reactionaries , with additional band member and singer Martin Tamburovich. According to Watt, ...
-
My Chemical Romance have killed emo, and any preconceived ideas about them should be considered along with it. Connection between Queen'...
-
We again get on the time machine and find ourselves in early 80s. Today i did a small post about four german musicians' genious electro...
-
Inspired by psychedelia, sure. Bit of Jim Morrison in the vocals? Okay, it's there. But for all the references and connections that ca...
-
Rating: 9.5/10 Modern Music Review Starting with an extra striking uneasy words ' All soldiers, they're all gonna die/And all the li...
-
My name is Bulut and I was born 1985 in Istanbul, Turkey. I discovered the magic of music when I was ten years old, and i used to have a sma...
-
Part 9 http://www.supashare.com/47438939/ or http://rapidshare.de/files/12219745/JC_CISR.part09.rar.html ignore every message of winrar abou...

0 COMMENTS:
Post a Comment