From the first track you know you are in for a treat. An unruly and uncooperative crowd has surged into the aisles and front rows in "House Announcer" in anticipation of the band, and it's exactly the tone and mood that will take you through an incredible and exotic journey of 31 tracks of rock & roll, cabaret, performance art, and poetry readings.

The Celebration of the Lizard (King), tracks 13 through 19, are perhaps the highlight of this album. Morrison's poetry rings true to the feeling of the uncertainty of the era, shamanism, Greek tragedy, and mysticsm reminiscent of Omar Khayyam, all backed by a hard rock band that had few peers equal to the drums of Densmore, the classically trained guitar style of Krieger, and magician-like hands of Manzarek playing a bass line on one keyboard and simultaneous rythm/lead on another.

Other highlights for In Concert include an extended version of "The End" that supercedes the studio version in its soul and ambience. Also, the Doors lighten up the dark mood set by their more epic pieces, excellent unto themselves ("When The Music's Over", "Light My Fire" w/ an excellent inclusion of the brooding and picteresque "The Graveyard Poem"), with fun versions of "Dead Cats"/"Break On Through" and "You Make Me Real".

The list goes on and on, song after song of a band that was moving forward in its abilities and destined for something even greater and more unique, halted by the death of their charismatic and insufferable lead singer Jim Morrison. Note the comparisons of this album to other live albums, and you will see "In Concert" is a little bit of everything, a comprehensive collection of the "better" live recordings available commercially.

At the time this album was issued, my initial reaction to some of the song selections was of slight dissapointment. Yet many bootlegs and live Doors albums later, "In Concert" now reigns supreme and is a trusted old friend.